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Networking
The Net as Artwork
Italian

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Contents  

Acknowledgments

Preface by Derrick de Kerckhove

Introduction

1. Networking Cultures

1.1. Networking as Art

1.2. From Ready-made to Fluxus

1.3. Fluxus Diagrams

1.4. The Mail Art Network

1.5. Multi-identity, Neoism and Luther Blissett

2. Towards the Cyber Utopias

2.1. Punk and "Do It Yourself"

2.2. The Squatted Social Centers

2.3. Cyberpunk in Italy

2.4. Amateur Computer Networks

2.5. From Cyberpunk to Industrial

3. The Art of Networking: the Pioneers

3.1. For a New Cartography of Reality

3.2. Making Networks: the First Festivals and Mailing Lists

3.3. From Video to Computer Art

3.4. The Man-Machine Interface

3.5. Hacker Art

4. Hacker Ethics and Shared Networks

4.1. Social Hacking

4.2. Independent Magazines and Radical Websites

4.3. Hackmeetings and Hacklabs

4.4. The Netstrike

5. Art on the Net and for the Net

5.1. Net.art and Hacktivism

5.2. The Craftsmen of the Code

5.3. Beyond the limits of the Net

5.4. Network vs. Network

6. Becoming Media

6.1. A movement of Images

6.2. Networks of Videos and Telestreets

6.3. Precarious Creativity

7. Extra Gender

7.1. Cyberfemminism on the Net

7.2. Pink Action and Queer Networks

7.3. From Punk to Netporn

7.4. (Open) Conclusion

Afterword by Simonetta Fadda

Webliography

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Networking | the Net as Artwork | Written by Tatiana Bazzichelli | Preface of Derrick de Kerckhove | Epilogue of Simonetta Fadda | Licensed Under GNU Free Documentation License. Version 1.3 | Info